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Melanie Bell (University of Leeds), Movie Workers: The Women Who Made British Cinema (University of Illinois Press, 2021)
Sheldon H. Lu (University of California, Davis), Contemporary Chinese Cinema and Visual Culture Envisioning the Nation (Bloomsbury Academic, 2021) |
Lúcia Nagib (University of Reading), Realist Cinema as World Cinema: Non-cinema, Intermedial Passages, Total Cinema (Amsterdam University Press, 2020)
Maria San Filippo (Emerson College), Provocauteurs and Provocations: Screening Sex in 21st Century Media (Indiana University Press, 2021) |
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Holly Chard (University of Brighton), Mainstream Maverick: John Hughes and New Hollywood Cinema (University of Texas Press, 2020)
Hoi Lun Law (University of Edinburgh), Ambiguity and Film Criticism: Reasonable Doubt (Palgrave Macmillan, 2021) |
Jasmine Nadua Trice (UCLA), City of Screens: Imagining Audiences in Manila's Alternative Film Culture (Duke University Press, 2021)
Alexander Sergeant (University of Portsmouth), Encountering the Impossible: The Fantastic in Hollywood Fantasy Films (SUNY Press, 2021) |
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Maria San Filippo (Emerson College), ed., After “Happily Ever After” Romantic Comedy in the Post-Romantic Age (Wayne State University Press, 2021)
Cynthia Vich (Fordham University) and Sarah Barrow (University of East Anglia), eds, Peruvian Cinema of the Twenty-First Century (Palgrave Macmillan, 2020) |
Jaap Verheul (University of Southampton), ed., The Cultural Life of James Bond: Specters of 007, edited by (Amsterdam University Press, 2020)
Mario Slugan (Queen Mary, University of London) and Enrico Terrone (Universitat de Barcelona), guest editors, 'Documentary Studies and Analytic Aesthetics in Conversation', Studies in Documentary Film (2021), 15:2. |
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Kirsty Sinclair Dootson (University of St Andrews) and Zhaoyu Zhu (King’s College London), ‘Did Madame Mao dream in Technicolor? Rethinking Cold War colour cinema through Technicolor’s “Chinese copy”’, Screen, 61:3, (2020), pp. 343–367.
Helen Hanson (University of Exeter), ‘Looking for Lela Simone: Singin’ in the Rain and microhistories of women’s soundwork’, Women's History Review, 29:5 (2020), pp. 822-840. |
Shruti Narayanswamy (University of St. Andrews), ‘Sanitizing Cinema: Women at Work in 1920s Bombay’, Film History: An International Journal, 33:1 (2021), pp. 113-141.
Martha Shearer (University College Dublin), ‘The Comedy of Redevelopment: Romantic Comedy, Real Estate, and the "New" Times Square’, JCMS: Journal of Cinema and Media Studies, 60:2 (2021), pp. 105-128. |
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Lawrence Alexander (University of Cambridge), ‘Facing Off: From Abstraction to Diffraction in Hito Steyerl’s Abstract (2012)’ Frames Cinema Journal, 18 (2021)
Tsz Lam Ngai (University of Michigan), ‘The mother of a famous child: The media representation of Shirley Temples “Mother” in Hollywood, 1934-1940’, in Media, Mothers and Motherhood, eds. Susan Liddy and Anne O’Brien, (Routledge: 2021), pp. 63-76. |
Rossella Schillachi (Nova University of Lisbon), ‘A family cell: Visual ethnography in a prison “Mothers” section’, in The Prison Cell: Embodied and Everyday Spaces of Incarceration, eds. Jennifer Turner and Victoria Knight (Palgrave Macmillan, 2020), pp. 187-212.
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