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  • Home
  • About
    • Advisory Board
    • Constitution
    • Contact
    • Executive Committee
    • Funding
    • In Memoriam >
      • Brian Winston (1941-2022)
    • Inclusivity statement
    • Membership >
      • Join / renew
    • Meetings
  • Conference / Awards
    • Conference / Awards 2023 >
      • Awards 2023 >
        • Practice Research Awards 2023
        • Publication Awards 2023
        • PGR POSTER COMPETITION 2023
    • Conference and Awards Archive, 2013-21
  • Responses
    • Response to Falmouth University re. Falmouth Staffing Ltd (FSL), November 2022
    • Response to Job Cuts at Birkbeck, November 2022
    • Future Research Assessment Programme 2022 (FRAP)
    • Joint MeCCSA and BAFTSS letter regarding Film Studies at Queen Mary, University of London
    • OfS Consultation
    • Research Excellence Framework 2021 >
      • Nominating panel members for REF 2021
      • Response to REF 2021 Consultation (March 2017)
    • Screening Complete Audiovisual Works in the Age of Covid-19
  • SIGs
    • Adaptations
    • Amateur Cinema
    • Animation
    • Archives and Archival Methods
    • British Cinema and Television
    • Colour and Film
    • Documentary
    • East Asian Screen Cultures
    • Essay Film
    • Euro-Bollywood
    • Film and Philosophy
    • Film/Making Education
    • French and Francophone Cinema
    • German Screen Studies
    • Horror Studies
    • LGBTQIA+ Screen Studies
    • Performance and Stardom
    • Practice Research
    • Psychoanalysis and Film
    • Science Fiction and Fantasy
    • Screen Industries
    • Screening Sex
    • Transnational Film and Television
    • Convenor Resources
  • Postgrads / ECRs
    • Early Career Mentoring Scheme
    • New Connections >
      • Call for proposals
    • Postgraduate Network >
      • PGR Network Website
BAFTSS
  • Home
  • About
    • Advisory Board
    • Constitution
    • Contact
    • Executive Committee
    • Funding
    • In Memoriam >
      • Brian Winston (1941-2022)
    • Inclusivity statement
    • Membership >
      • Join / renew
    • Meetings
  • Conference / Awards
    • Conference / Awards 2023 >
      • Awards 2023 >
        • Practice Research Awards 2023
        • Publication Awards 2023
        • PGR POSTER COMPETITION 2023
    • Conference and Awards Archive, 2013-21
  • Responses
    • Response to Falmouth University re. Falmouth Staffing Ltd (FSL), November 2022
    • Response to Job Cuts at Birkbeck, November 2022
    • Future Research Assessment Programme 2022 (FRAP)
    • Joint MeCCSA and BAFTSS letter regarding Film Studies at Queen Mary, University of London
    • OfS Consultation
    • Research Excellence Framework 2021 >
      • Nominating panel members for REF 2021
      • Response to REF 2021 Consultation (March 2017)
    • Screening Complete Audiovisual Works in the Age of Covid-19
  • SIGs
    • Adaptations
    • Amateur Cinema
    • Animation
    • Archives and Archival Methods
    • British Cinema and Television
    • Colour and Film
    • Documentary
    • East Asian Screen Cultures
    • Essay Film
    • Euro-Bollywood
    • Film and Philosophy
    • Film/Making Education
    • French and Francophone Cinema
    • German Screen Studies
    • Horror Studies
    • LGBTQIA+ Screen Studies
    • Performance and Stardom
    • Practice Research
    • Psychoanalysis and Film
    • Science Fiction and Fantasy
    • Screen Industries
    • Screening Sex
    • Transnational Film and Television
    • Convenor Resources
  • Postgrads / ECRs
    • Early Career Mentoring Scheme
    • New Connections >
      • Call for proposals
    • Postgraduate Network >
      • PGR Network Website

Awards

At our annual conference, we announce a series of awards, recognising excellence in publishing and practice-based scholarship. We also unveil our Outstanding Achievement Award and our Postgraduate Research Poster Showcase.
Access our Awards Archive here.
Publication Awards Shortlist 2022
(in no particular order​)


 Note: the shortlist and outcome/s of the Practice Research Awards will be announced at the conference.

Contenders for best monograph

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Melanie Bell (University of Leeds), Movie Workers: The Women Who Made British Cinema (University of Illinois Press, 2021) 
​
Sheldon H. Lu (University of California, Davis), Contemporary Chinese Cinema and Visual Culture Envisioning the Nation (Bloomsbury Academic, 2021)​
Lúcia Nagib (University of Reading), Realist Cinema as World Cinema:  Non-cinema, Intermedial Passages, Total Cinema (Amsterdam University Press, 2020)

Maria San Filippo (Emerson College), Provocauteurs and Provocations:  Screening Sex in 21st Century Media (Indiana University Press, 2021)

Contenders for best first monograph

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Holly Chard (University of Brighton), Mainstream Maverick: John Hughes and New Hollywood Cinema (University of Texas Press, 2020)

Hoi Lun Law (University of Edinburgh), Ambiguity and Film Criticism: Reasonable Doubt (Palgrave Macmillan, 2021)
Jasmine Nadua Trice (UCLA), City of Screens: Imagining Audiences in Manila's Alternative Film Culture (Duke University Press, 2021)
 
Alexander Sergeant (University of Portsmouth), Encountering the Impossible: The Fantastic in Hollywood Fantasy Films (SUNY Press, 2021)

Contenders for best edited collection

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Maria San Filippo (Emerson College), ed., After “Happily Ever After” Romantic Comedy in the Post-Romantic Age (Wayne State University Press, 2021)

Cynthia Vich (Fordham University) and Sarah Barrow (University of East Anglia), eds, Peruvian Cinema of the Twenty-First Century (Palgrave Macmillan, 2020)
Jaap Verheul (University of Southampton), ed., The Cultural Life of James Bond: Specters of 007, edited by  (Amsterdam University Press, 2020)

Mario Slugan (Queen Mary, University of London) and Enrico Terrone (
Universitat de Barcelona), guest editors, 'Documentary Studies and Analytic Aesthetics in Conversation', Studies in Documentary Film (2021), 15:2.

Contenders for best journal article

Kirsty Sinclair Dootson (University of St Andrews) and Zhaoyu Zhu (King’s College London), ‘Did Madame Mao dream in Technicolor? Rethinking Cold War colour cinema through Technicolor’s “Chinese copy”’, Screen, 61:3, (2020), pp. 343–367.

Helen Hanson (University of Exeter), ‘Looking for Lela Simone: Singin’ in the Rain and microhistories of women’s soundwork’, Women's History Review, 29:5 (2020), pp. 822-840.
Shruti Narayanswamy (University of St. Andrews), ‘Sanitizing Cinema: Women at Work in 1920s Bombay’, Film History: An International Journal, 33:1 (2021), pp. 113-141.

Martha Shearer (University College Dublin), ‘The Comedy of Redevelopment: Romantic Comedy, Real Estate, and the "New" Times Square’, JCMS: Journal of Cinema and Media Studies, 60:2 (2021), pp. 105-128.

Contenders for best essay by a doctoral student

Lawrence Alexander (University of Cambridge), ‘Facing Off: From Abstraction to Diffraction in Hito Steyerl’s Abstract (2012)’ Frames Cinema Journal, 18 (2021)

Tsz Lam Ngai (University of Michigan), ‘The mother of a famous child: The media representation of Shirley Temples “Mother” in Hollywood, 1934-1940’, in Media, Mothers and Motherhood, eds. Susan Liddy and Anne O’Brien, (Routledge: 2021), pp. 63-76.
Rossella Schillachi (Nova University of Lisbon), ‘A family cell: Visual ethnography in a prison “Mothers” section’, in The Prison Cell: Embodied and Everyday Spaces of Incarceration, eds. Jennifer Turner and Victoria Knight (Palgrave Macmillan, 2020), pp. 187-212.
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