• Asquith, Daisy (University of Sussex). The response of the One Direction fandom to my Channel 4 documentary about them. Personal website.
   

• Dernbach, Rafael (University of Cambridge). Contemporary documentary film practices.
   

• Devoy, Jane (University of Exeter). Methods of writing, production and exhibition in contemporary filmmaking: how modes of working affect final product.
   

• Edney, Gemma (University of Exeter). The use of music in contemporary girlhood films.
   

• Giannoccaro, Antonia (Queen’s University Belfast). Borders, cinematic spaces as consciousness. Filmmaking as tool for conflict transformation.
   

• Gurung, Ruchika (University of East Anglia). “We haven’t located us yet.”- Interpersonal communication, entrapment and narrative structure in the absurd films of Wes Anderson.
   

• Hastie, Alex (University of Sheffield). Postcolonial and historical narratives in Maghrebi-French cinema.
   

• Le Vay, Lulu (Goldsmiths). Surrogacy – a new reproductive freedom? An analysis of the representation of surrogacy across TV and film genre.
   

• Lees, Dominic (University of Reading). Creative modes of production in the filmmaking process (Practice as Research).
   

• Merchant, Paul (University of Cambridge). Ideas of home in contemporary Argentine and Chilean film.
   

• Morgan, Stephen (King’s College, London). Ealing Studios Australian films.
   

• Nedyalkova, Maya (University of Southampton). Transnational Bulgarian cinema: pieces of the past, present and future.
   

• Pelican, Kira-Anne (University of Bangor). The Pleistocene protagonist: an evolutionary framework for the analysis of film protagonists.
   

• Powell-Jones, Lindsay (University of Cardiff). The films of Andrei Tarkovsky through the work of French philosopher Gilles Deleuze.
   

• Ragni, Valentina (University of Leeds). Subtitling.
   

• Satchell-Baeza,  Sophia (Queen Mary, London). The psychedelic aesthetic of specific British liquid light shows and films of the 1960s.
   

• Smith, Kirstin (Queen Mary, London). Attention-seeking activities: stunt performances in public life.
   

• Stewart, Jen (University of Leicester). Depictions of the postwar British city in fiction film, 1946-58.
   

• Thouaille, Marie (University of East Anglia). The single woman writer as represented in Anglophone film and television since 1990.
   

• Tulli, Adele (University of Roehampton). Visible resistance: reframing gender in feminist and queer film and video.
   

• Valente, Donatella (Birkbeck). The role of archive materials in experimental filmmaking in Italy in the 60s.
   

• Wiemers, Judith (Queen’s University Belfast). German film musical in the late 1920s and 1930s.
   

The above lists those students who wished to share details of their research on this website. The following selected websites list doctoral projects in film/tv/screen studies:
 

• Film, Media and Cultural Studies, Birkbeck, University of London
   

• Centre for Film and Screen, University of Cambridge
   

• Film, School of Literatures, Languages and Cultures, University of Edinburgh
   

• Centre for Interdisciplinary Film Research, University of Exeter
   

• School of Culture and Creative Arts, University of Glasgow
   

• Media and Communication, Goldsmiths, University of London
   

• Film Studies, King’s College, London
   

• Drama, School of Arts, Languages and Cultures, University of Manchester
   

• Culture, Film and Media, University of Nottingham
   

• Queen Mary, University of London
   

• Film, Theatre and Television, University of Reading
   

• Royal Holloway, University of London
   

• Film, University of Southampton
   

• Film and Television Studies, University of Warwick
   

• Theatre, Film and Television, University of York