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  • About
    • About us
    • Advisory Board
    • Branding / Logos
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    • In Memoriam
      • Brian Winston (1941-2022)
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      • 2025
        • Withdrawing 2026 Conference from Bournemouth University
        • Statement in response to UK Supreme Court ruling re. the Equality Act 2010
        • Joint letter - UK performing arts subject associations to REF Director (March 2025)
        • REF29 Guidance Summary (February 2025)
        • Letter to Education Secretary - 4 February 2025
      • 2024
        • Racism and Islamophobia
        • Letter to Chair of REF29 Steering Group, 18 June 2024
        • Statement on Gaza
        • Response to threat of possible job cuts at University of Kent (February 2024)
      • 2023
        • Response to REF 2028 Consultation (October 2023)
        • Open letter opposing AHRC cuts to PhD studentships
        • Response to possible compulsory redundancies at UEA, March / July 2023
      • 2022
        • Response to Falmouth University re. Falmouth Staffing Ltd (FSL), November 2022
        • Response to Job Cuts at Birkbeck, November 2022
        • Future Research Assessment Programme 2022 (FRAP)
        • Joint MeCCSA and BAFTSS letter regarding Film Studies at Queen Mary, University of London
      • 2021
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        • Screening Complete Audiovisual Works in the Age of Covid-19
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      • LGBTQIA+ Screen Studies
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Search

Special interest group:
Adaptations

Convenor:
  • ​Christina Wilkins (University of Birmingham)
  • Andrew Watts (University of Birmingham)

Overview

Adaptation has always been central to the screen industries, but adaptation has been seen as a research area on the fringes of film, television and screen studies. The field has been growing in recent decades, with scholarship from theorists such as Thomas Leitch, James Naremore, Linda Hutcheon, Kamilla Elliott, Deborah Cartmell and Imelda Whelehan being crucial in developing the field. There are key debates which continue to dominate the field, indicating the need for continued discussion and development of thought in the area of adaptation studies. Adaptation raises questions outside the realm of film and its closely associated discipline, literature, asking us to rethink our understandings of concepts such as originality, creativity, and value. The breadth of questions to which adaptation studies turns its attention, and the persistence of the key debates that structure the field, indicates the need for continued discussion and development of thought in this area. This is why scholars continue to immerse themselves in adaptation and its study; the interdisciplinarity and the changing approaches to theoretical concerns mean it is an exciting area in which to be involved. Equally, there is an exploration of relations across other media including television, comics, videogames, and theatre, providing a breadth of approaches vital to new ways of thinking. This special interest group represents scholars from a range of career points who are focused on adaptation, including those who are adopting a practice-based approach. It seeks to build a stronger network within the broader BAFTSS community and offer another avenue of connections for those interested in adaptation. It is also interested in building connections between SIGS as some of our members may be part of multiple groups, which could offer fruitful outcomes. It also has connections with the Association for Adaptation Studies (AAS).

Reports on activities

​Reports will appear here.

Founding members

  • Christina Wilkins, University of Birmingham 
  • Andrew Watts, University of Birmingham 
  • Megen de Bruin-Mole, University of Southampton 
  • Ronan Hatfull, University of Warwick 
  • Sam Summers, Middlesex University 
  • Robert Munro, Queen Margaret University 
  • James C Taylor, University of Warwick 
  • Anna Blackwell, University of Nottingham 
  • Madeleine Hunter, University of Cambridge 
  • Kate Griffiths, Cardiff University 
  • Erin Sullivan, University of Birmingham 
  • Miriam Kent, University of Leeds 
  • Zoe Crombie, Lancaster University
  • Ben Broadribb, University of Birmingham 
  • Daniel Varndell, University of Winchester
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© British Association of Film, Television and Screen Studies (BAFTSS) 2025.
Website maintained by Christina Wilkins.
  • Home
  • About
    • About us
    • Advisory Board
    • Branding / Logos
    • Code of Conduct
    • Constitution
    • Contact
    • Executive Committee
    • In Memoriam
      • Brian Winston (1941-2022)
    • Meetings
    • Open Screens (our official journal)
    • Responses / Statements
      • 2025
        • Withdrawing 2026 Conference from Bournemouth University
        • Statement in response to UK Supreme Court ruling re. the Equality Act 2010
        • Joint letter - UK performing arts subject associations to REF Director (March 2025)
        • REF29 Guidance Summary (February 2025)
        • Letter to Education Secretary - 4 February 2025
      • 2024
        • Racism and Islamophobia
        • Letter to Chair of REF29 Steering Group, 18 June 2024
        • Statement on Gaza
        • Response to threat of possible job cuts at University of Kent (February 2024)
      • 2023
        • Response to REF 2028 Consultation (October 2023)
        • Open letter opposing AHRC cuts to PhD studentships
        • Response to possible compulsory redundancies at UEA, March / July 2023
      • 2022
        • Response to Falmouth University re. Falmouth Staffing Ltd (FSL), November 2022
        • Response to Job Cuts at Birkbeck, November 2022
        • Future Research Assessment Programme 2022 (FRAP)
        • Joint MeCCSA and BAFTSS letter regarding Film Studies at Queen Mary, University of London
      • 2021
        • OfS Consultation
        • Screening Complete Audiovisual Works in the Age of Covid-19
      • 2017
        • Response to REF 2021 Consultation (March 2017)
        • Nominating panel members for REF 2021
  • Conference / Awards
    • 2025 Conference / Awards
      • Conference Info and Registration
      • 2025 Awards
        • 2025 Outstanding Achievement Award
        • Winners: Practice Awards 2025
        • Winners: Publication Awards 2025
        • PGR Poster Showcase 2025
    • Conference and Awards Archive
  • Funding
  • Membership
    • Key information
    • Join / renew
  • SIGs
    • Convenor Resources
    • A-E
      • Adaptations
      • Amateur Cinema
      • Animation
      • Archives and Archival Methods
      • British Cinema and Television
      • Colour and Film
      • Documentary
      • East Asian Screen Cultures
      • Essay Film
      • Euro-Bollywood
    • F-J
      • Film and Philosophy
      • Film/Making Education
      • French and Francophone Screen Studies
      • German Screen Studies
      • Horror Studies
    • K-O
      • LGBTQIA+ Screen Studies
      • Media and the Environment
    • P-T
      • Performance and Stardom
      • Practice Research
      • Psychoanalysis and Film
      • Science Fiction and Fantasy
      • Screen Industries
      • Screening Sex
      • Transnational Screens
  • Postgrads / ECRs
    • Early Career Mentoring Scheme
    • New Connections Schedule
      • New Connections Archive
    • Postgraduate Network
      • PGR Network Website