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      • 2025
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      • 2024
        • Racism and Islamophobia
        • Letter to Chair of REF29 Steering Group, 18 June 2024
        • Statement on Gaza
        • Response to threat of possible job cuts at University of Kent (February 2024)
      • 2023
        • Response to REF 2028 Consultation (October 2023)
        • Open letter opposing AHRC cuts to PhD studentships
        • Response to possible compulsory redundancies at UEA, March / July 2023
      • 2022
        • Response to Falmouth University re. Falmouth Staffing Ltd (FSL), November 2022
        • Response to Job Cuts at Birkbeck, November 2022
        • Future Research Assessment Programme 2022 (FRAP)
        • Joint MeCCSA and BAFTSS letter regarding Film Studies at Queen Mary, University of London
      • 2021
        • OfS Consultation
        • Screening Complete Audiovisual Works in the Age of Covid-19
      • 2017
        • Response to REF 2021 Consultation (March 2017)
        • Nominating panel members for REF 2021
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    • 2025 Conference / Awards
      • Conference Info and Registration
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      • Transnational Screens
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  • Home
  • About
    • About us
    • Advisory Board
    • Branding / Logos
    • Code of Conduct
    • Constitution
    • Contact
    • Executive Committee
    • In Memoriam
      • Brian Winston (1941-2022)
    • Meetings
    • Open Screens (our official journal)
    • Responses / Statements
      • 2025
        • Withdrawing 2026 Conference from Bournemouth University
        • Statement in response to UK Supreme Court ruling re. the Equality Act 2010
        • Joint letter - UK performing arts subject associations to REF Director (March 2025)
        • REF29 Guidance Summary (February 2025)
        • Letter to Education Secretary - 4 February 2025
      • 2024
        • Racism and Islamophobia
        • Letter to Chair of REF29 Steering Group, 18 June 2024
        • Statement on Gaza
        • Response to threat of possible job cuts at University of Kent (February 2024)
      • 2023
        • Response to REF 2028 Consultation (October 2023)
        • Open letter opposing AHRC cuts to PhD studentships
        • Response to possible compulsory redundancies at UEA, March / July 2023
      • 2022
        • Response to Falmouth University re. Falmouth Staffing Ltd (FSL), November 2022
        • Response to Job Cuts at Birkbeck, November 2022
        • Future Research Assessment Programme 2022 (FRAP)
        • Joint MeCCSA and BAFTSS letter regarding Film Studies at Queen Mary, University of London
      • 2021
        • OfS Consultation
        • Screening Complete Audiovisual Works in the Age of Covid-19
      • 2017
        • Response to REF 2021 Consultation (March 2017)
        • Nominating panel members for REF 2021
  • Conference / Awards
    • 2025 Conference / Awards
      • Conference Info and Registration
      • 2025 Awards
        • 2025 Outstanding Achievement Award
        • Winners: Practice Awards 2025
        • Winners: Publication Awards 2025
        • PGR Poster Showcase 2025
    • Conference and Awards Archive
  • Funding
  • Membership
    • Key information
    • Join / renew
  • SIGs
    • Convenor Resources
    • A-E
      • Adaptations
      • Amateur Cinema
      • Animation
      • Archives and Archival Methods
      • British Cinema and Television
      • Colour and Film
      • Documentary
      • East Asian Screen Cultures
      • Essay Film
      • Euro-Bollywood
    • F-J
      • Film and Philosophy
      • Film/Making Education
      • French and Francophone Screen Studies
      • German Screen Studies
      • Horror Studies
    • K-O
      • LGBTQIA+ Screen Studies
      • Media and the Environment
    • P-T
      • Performance and Stardom
      • Practice Research
      • Psychoanalysis and Film
      • Science Fiction and Fantasy
      • Screen Industries
      • Screening Sex
      • Transnational Screens
  • Postgrads / ECRs
    • Early Career Mentoring Scheme
    • New Connections Schedule
      • New Connections Archive
    • Postgraduate Network
      • PGR Network Website
Search

Special interest group:
Transnational Screens

Convenors:  
  • Yael Friedman (University of Portsmouth)
  • Maryam Ghorbankarimi (University of Lancaster)
Links:
  • YouTube Channel.  Recordings of the reading groups co-organised with the SCMS Transnational Cinemas SIG can be found here.

Overview

There has been growing interest in the transnational in the many areas that constitute film and television studies, and academics have found it increasingly fruitful to conceptualise their work using a transnational framework. We have seen a proliferation of courses, publications, and conferences that engage with the transnational, and this Special Interest Group aims to contribute to this research landscape. We aim to bring together researchers and offer a platform for discussion, debate, networking, collaborations, dissemination of resources, and promotion of events and publications.

Following each BAFTSS annual conference, several SIG presentations and papers will be revised for publication in special guest-edited issues, or standalone articles of selected academic journals (including Transnational Screens).

Reports on activities

SIG reports
  • BAFTSS Transnational Film TV SIG Report 2019
Funding reports
  • Transnational Screens New Directions, New Collaborations

Founding members

  • Monia Acciari (De Montfort University)
  • Sarah Barrow (University of Lincoln)
  • Hannah Bayley (Keele University)
  • Tim Bergfelder (University of Southampton)
  • Elena Caoduro (University of Bedfordshire)
  • Ranita Chatterjee (University of Exeter)
  • Ruby Cheung (University of Southampton)
  • Pei-Sze Chow (University College, London)
  • Rajinder Dudrah (Birmingham City University)
  • ​Sally Faulkner (University of Exeter)
  • Austin Fisher (Bournemouth University)
  • Patti Gaal Holmes (Arts University Bournemouth)
  • Maryam Ghorbankarimi (Lancaster University)
  • Dina Iordanova (University of St Andrews)
  • Igor Krstic (University of Reading/Europa-Universität Flensburg)
  • Kenneth Longden (University of Salford)
  • Ewa Hanna Mazierska (University of Central Lancashire)
  • Lucy Mazdon (University of Southampton)
  • Paul McDonald (King’s College, London)
  • Stephen Morgan (King’s College, London)
  • Shane O’Sullivan (Kingston University)
  • Shorna Pal (University of St Andrews)
  • Lydia Papadimitriou (Liverpool John Moores University)
  • Joanna Rydzewska (Swansea University)
  • Carl Schoenfeld (Coventry University)
  • Sanghita Sen (University of St Andrews)
  • Deborah Shaw (University of Portsmouth)
  • Ian Robert Smith (King’s College, London)
  • ​Kate E Taylor-Jones (University of Bangor)
  • Rui Trindade Oliveira (Independent researcher)
  • Rachel Velody (University of Bristol)
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© British Association of Film, Television and Screen Studies (BAFTSS) 2025.
Website maintained by Christina Wilkins.
  • Home
  • About
    • About us
    • Advisory Board
    • Branding / Logos
    • Code of Conduct
    • Constitution
    • Contact
    • Executive Committee
    • In Memoriam
      • Brian Winston (1941-2022)
    • Meetings
    • Open Screens (our official journal)
    • Responses / Statements
      • 2025
        • Withdrawing 2026 Conference from Bournemouth University
        • Statement in response to UK Supreme Court ruling re. the Equality Act 2010
        • Joint letter - UK performing arts subject associations to REF Director (March 2025)
        • REF29 Guidance Summary (February 2025)
        • Letter to Education Secretary - 4 February 2025
      • 2024
        • Racism and Islamophobia
        • Letter to Chair of REF29 Steering Group, 18 June 2024
        • Statement on Gaza
        • Response to threat of possible job cuts at University of Kent (February 2024)
      • 2023
        • Response to REF 2028 Consultation (October 2023)
        • Open letter opposing AHRC cuts to PhD studentships
        • Response to possible compulsory redundancies at UEA, March / July 2023
      • 2022
        • Response to Falmouth University re. Falmouth Staffing Ltd (FSL), November 2022
        • Response to Job Cuts at Birkbeck, November 2022
        • Future Research Assessment Programme 2022 (FRAP)
        • Joint MeCCSA and BAFTSS letter regarding Film Studies at Queen Mary, University of London
      • 2021
        • OfS Consultation
        • Screening Complete Audiovisual Works in the Age of Covid-19
      • 2017
        • Response to REF 2021 Consultation (March 2017)
        • Nominating panel members for REF 2021
  • Conference / Awards
    • 2025 Conference / Awards
      • Conference Info and Registration
      • 2025 Awards
        • 2025 Outstanding Achievement Award
        • Winners: Practice Awards 2025
        • Winners: Publication Awards 2025
        • PGR Poster Showcase 2025
    • Conference and Awards Archive
  • Funding
  • Membership
    • Key information
    • Join / renew
  • SIGs
    • Convenor Resources
    • A-E
      • Adaptations
      • Amateur Cinema
      • Animation
      • Archives and Archival Methods
      • British Cinema and Television
      • Colour and Film
      • Documentary
      • East Asian Screen Cultures
      • Essay Film
      • Euro-Bollywood
    • F-J
      • Film and Philosophy
      • Film/Making Education
      • French and Francophone Screen Studies
      • German Screen Studies
      • Horror Studies
    • K-O
      • LGBTQIA+ Screen Studies
      • Media and the Environment
    • P-T
      • Performance and Stardom
      • Practice Research
      • Psychoanalysis and Film
      • Science Fiction and Fantasy
      • Screen Industries
      • Screening Sex
      • Transnational Screens
  • Postgrads / ECRs
    • Early Career Mentoring Scheme
    • New Connections Schedule
      • New Connections Archive
    • Postgraduate Network
      • PGR Network Website