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  • Home
  • About
    • Advisory Board
    • Constitution
    • Contact
    • Executive Committee
    • Funding
    • In Memoriam >
      • Brian Winston (1941-2022)
    • Inclusivity statement
    • Membership >
      • Join / renew
    • Meetings
  • Conference / Awards
    • Conference / Awards 2023 >
      • Awards 2023 >
        • Practice Research Awards 2023
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        • PGR POSTER COMPETITION 2023
    • Conference and Awards Archive, 2013-21
  • Responses
    • Response to Falmouth University re. Falmouth Staffing Ltd (FSL), November 2022
    • Response to Job Cuts at Birkbeck, November 2022
    • Future Research Assessment Programme 2022 (FRAP)
    • Joint MeCCSA and BAFTSS letter regarding Film Studies at Queen Mary, University of London
    • OfS Consultation
    • Research Excellence Framework 2021 >
      • Nominating panel members for REF 2021
      • Response to REF 2021 Consultation (March 2017)
    • Screening Complete Audiovisual Works in the Age of Covid-19
  • SIGs
    • Adaptations
    • Amateur Cinema
    • Animation
    • Archives and Archival Methods
    • British Cinema and Television
    • Colour and Film
    • Documentary
    • East Asian Screen Cultures
    • Essay Film
    • Euro-Bollywood
    • Film and Philosophy
    • Film/Making Education
    • French and Francophone Cinema
    • German Screen Studies
    • Horror Studies
    • LGBTQIA+ Screen Studies
    • Performance and Stardom
    • Practice Research
    • Psychoanalysis and Film
    • Science Fiction and Fantasy
    • Screen Industries
    • Screening Sex
    • Transnational Film and Television
    • Convenor Resources
  • Postgrads / ECRs
    • Early Career Mentoring Scheme
    • New Connections >
      • Call for proposals
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      • PGR Network Website
BAFTSS
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      • Brian Winston (1941-2022)
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      • Join / renew
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  • Conference / Awards
    • Conference / Awards 2023 >
      • Awards 2023 >
        • Practice Research Awards 2023
        • Publication Awards 2023
        • PGR POSTER COMPETITION 2023
    • Conference and Awards Archive, 2013-21
  • Responses
    • Response to Falmouth University re. Falmouth Staffing Ltd (FSL), November 2022
    • Response to Job Cuts at Birkbeck, November 2022
    • Future Research Assessment Programme 2022 (FRAP)
    • Joint MeCCSA and BAFTSS letter regarding Film Studies at Queen Mary, University of London
    • OfS Consultation
    • Research Excellence Framework 2021 >
      • Nominating panel members for REF 2021
      • Response to REF 2021 Consultation (March 2017)
    • Screening Complete Audiovisual Works in the Age of Covid-19
  • SIGs
    • Adaptations
    • Amateur Cinema
    • Animation
    • Archives and Archival Methods
    • British Cinema and Television
    • Colour and Film
    • Documentary
    • East Asian Screen Cultures
    • Essay Film
    • Euro-Bollywood
    • Film and Philosophy
    • Film/Making Education
    • French and Francophone Cinema
    • German Screen Studies
    • Horror Studies
    • LGBTQIA+ Screen Studies
    • Performance and Stardom
    • Practice Research
    • Psychoanalysis and Film
    • Science Fiction and Fantasy
    • Screen Industries
    • Screening Sex
    • Transnational Film and Television
    • Convenor Resources
  • Postgrads / ECRs
    • Early Career Mentoring Scheme
    • New Connections >
      • Call for proposals
    • Postgraduate Network >
      • PGR Network Website

Special interest group:
East Asian Screen Cultures

Convenors:  
  • Kiki Tianqi Yu (QMUL)
  • Victor Fan (KCL)
  • Ruby Cheung (Southampton)
  • Lin Feng (Leicester)

Overview

Contributing to the expansion of research frontiers of East Asian screen cultures established by influential scholars with an excellent body of pioneering works in the field, this SIG continues the spirits and aims to provide scholars and research students with an active platform to exchange ideas, generate debates, and form collaborations on various aspects of East Asian Screen related studies. We encourage and hope to facilitate research conversations on diverse paradigms and approaches, to enhance our understanding of histories, aesthetics, theories, philosophies, practices and industries of cinema, television and other screen-based media, within East Asian countries and regions, and through trans-regional comparative perspectives.

The East Asian screen cultures SIG is initiated by Kiki Tianqi Yu (QMUL), Victor Fan (KCL), Ruby Cheung (Southampton), and Lin Feng (Leicester), with total 26 founding members, including British based and international scholars, filmmakers and programmers. We endeavour to organise panels at BAFTSS annual conference, focused symposiums, work-in-progress workshops, screenings, publicly engaged events, with periodical publications, contributing to East Asian screen studies globally. We are still in the process of expansion.

Reports on activities

Any relevant documentation will appear here.

Founding members

  • Yiran Ai (University of Birmingham)
  • Hongwei Bao (University of Nottingham)
  • Rachel Barraclough (University of Lincoln)
  • Chris Berry (King's College London)
  • Lydia Mae Brammer (University of Warwick) 
  • William Brown (University of Roehampton)
  • Hee-Young Chung (University of Southampton)​
  • Mark Gallagher (University of Nottingham)
  • Dina Iordanova (University of St. Andrews)
  • Sakura Jia Kang (University of Southampton)
  • Nikki J.Y. Lee (Nottingham Trent University)
  • Yuan Li (University of Southampton)
  • ​Yuehan Liu (Queen Mary University of London)
  • Anthony T. McKenna (King's College London)
  • Alastair Phillips (University of Warwick)
  • Mario Slugan (Queen Mary University of London)
  • Yueyue Wang (Queen Mary University of London)
  • Noel Williams (Daito Bunka University)
  • Jonathan Wroot (University of Greenwich)
  • Sabrina Qiong Yu (Newcastle University)
  • Zhaoyu Zhu (King's College London)
  • Liao Zhang (University of Nottingham)
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