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  • Home
  • About
    • About us
    • Advisory Board
    • Branding / Logos
    • Code of Conduct
    • Constitution
    • Contact
    • Executive Committee
    • In Memoriam
      • Brian Winston (1941-2022)
    • Meetings
    • Open Screens (our official journal)
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      • 2025
        • Withdrawing 2026 Conference from Bournemouth University
        • Statement in response to UK Supreme Court ruling re. the Equality Act 2010
        • Joint letter - UK performing arts subject associations to REF Director (March 2025)
        • REF29 Guidance Summary (February 2025)
        • Letter to Education Secretary - 4 February 2025
      • 2024
        • Racism and Islamophobia
        • Letter to Chair of REF29 Steering Group, 18 June 2024
        • Statement on Gaza
        • Response to threat of possible job cuts at University of Kent (February 2024)
      • 2023
        • Response to REF 2028 Consultation (October 2023)
        • Open letter opposing AHRC cuts to PhD studentships
        • Response to possible compulsory redundancies at UEA, March / July 2023
      • 2022
        • Response to Falmouth University re. Falmouth Staffing Ltd (FSL), November 2022
        • Response to Job Cuts at Birkbeck, November 2022
        • Future Research Assessment Programme 2022 (FRAP)
        • Joint MeCCSA and BAFTSS letter regarding Film Studies at Queen Mary, University of London
      • 2021
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        • Screening Complete Audiovisual Works in the Age of Covid-19
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      • Documentary
      • East Asian Screen Cultures
      • Essay Film
      • Euro-Bollywood
    • F-J
      • Film and Philosophy
      • Film/Making Education
      • French and Francophone Screen Studies
      • German Screen Studies
      • Horror Studies
    • K-O
      • LGBTQIA+ Screen Studies
      • Media and the Environment
    • P-T
      • Performance and Stardom
      • Practice Research
      • Psychoanalysis and Film
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12th BAFTSS Conference
3-5 April 2024, University of Sussex, UK

Labour and Screen Media

CONFERENCE WEBSITE
AWARDS

Original call for papers
​(included here for archival purposes)


This conference focuses on all aspects of the relationship between labour and screen media, historically and today, from representations of labour on screen to the varied ways that labour — viewed as work, craft, skill, creativity, or exploitation — underpins screen media and screen industries. Issues related to labour are increasingly recognised as of central importance to film, television and screen studies. Almost all films and television represent worlds in which various forms of work are necessary, and while they present most obviously the dramatic labour of their actors, and are understood as the artistic works of directors or writers, all productions are dependent on many and various workers, whose labour has until recently often gone uncredited. And as recent strikes in the United States by SAG-AFTRA remind us, questions of labour, politics, and workforce precarity are live issues that demand our attention, particularly in the age of AI and digital content provision.   

We are seeking abstracts for individual papers and pre-convened panels that expand our understanding of labour across film, practice-based research, television, and other screen media.  We also invite each BAFTSS SIG to submit one official SIG Panel Proposal. All attendees must be BAFTSS Members at the time of the conference. You can join here 

Abstracts should be 250 words. Please also provide a short biography, including institutional affiliation (university, college, archive, independent researcher) of 50 words.  

This information should be sent by completing this form: forms.gle/59Sf49BPPjYoCwc88

Deadline: December 15 2023 

You will be notified whether your proposal has been accepted by the end of January 2024. 

Some potential topics: 
  • Representations of labour in film, television and screen media 
  • Labour practices in film, television and screen media industries  
  • Above-the-line and below-the-line labour in film, television and screen media 
  • Labour and class in film, television and screen media 
  • Labour and film and television archives. 
  • Labour and race in film, television and screen media 
  • Labour and gender in film, television and screen media 
  • Labour and sexuality in film, television and screen media 
  • Labour and disability in film, television and screen media 
  • Labour organization in film, television and screen media 
  • Labour and digital technology in film, television and screen media 
  • Labour and globalization in film, television and screen media  
  • Labour and children in film, television and screen media  
  • Labour and non-human animals in film, television and screen media 
  • Labour and professionalisation in film, television and screen media 
  • Amateur and/or non-professional labour in film, television and screen media 
  • Precarity and unemployment in film, television and screen media  
  • Spaces of creative labour: studios, locations, offices, labs, universities, the home  
  • Theorizations of different categories of labour: affective labour, creative labour, cognitive labour, emotional labour, immaterial labour, reproductive labour, forced labour 
 
Please send any enquiries to [email protected]  
  
BAFTSS Inclusivity Statement: BAFTSS is committed to helping our communities to develop strong, positive action around issues of equality, diversity and inclusivity.  These values are displayed in the Inclusivity Statement. displayed on the BAFTSS Homepage  and are embedded in all that we do. Members of BAFTSS are encouraged to be mindful of issues of race, gender, LGBTQI+ status and disability when planning their events, putting panels together, considering access issues and inviting participants.  
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© British Association of Film, Television and Screen Studies (BAFTSS) 2025.
Website maintained by Christina Wilkins.
  • Home
  • About
    • About us
    • Advisory Board
    • Branding / Logos
    • Code of Conduct
    • Constitution
    • Contact
    • Executive Committee
    • In Memoriam
      • Brian Winston (1941-2022)
    • Meetings
    • Open Screens (our official journal)
    • Responses / Statements
      • 2025
        • Withdrawing 2026 Conference from Bournemouth University
        • Statement in response to UK Supreme Court ruling re. the Equality Act 2010
        • Joint letter - UK performing arts subject associations to REF Director (March 2025)
        • REF29 Guidance Summary (February 2025)
        • Letter to Education Secretary - 4 February 2025
      • 2024
        • Racism and Islamophobia
        • Letter to Chair of REF29 Steering Group, 18 June 2024
        • Statement on Gaza
        • Response to threat of possible job cuts at University of Kent (February 2024)
      • 2023
        • Response to REF 2028 Consultation (October 2023)
        • Open letter opposing AHRC cuts to PhD studentships
        • Response to possible compulsory redundancies at UEA, March / July 2023
      • 2022
        • Response to Falmouth University re. Falmouth Staffing Ltd (FSL), November 2022
        • Response to Job Cuts at Birkbeck, November 2022
        • Future Research Assessment Programme 2022 (FRAP)
        • Joint MeCCSA and BAFTSS letter regarding Film Studies at Queen Mary, University of London
      • 2021
        • OfS Consultation
        • Screening Complete Audiovisual Works in the Age of Covid-19
      • 2017
        • Response to REF 2021 Consultation (March 2017)
        • Nominating panel members for REF 2021
  • Conference / Awards
    • 2025 Conference / Awards
      • Conference Info and Registration
      • 2025 Awards
        • 2025 Outstanding Achievement Award
        • Winners: Practice Awards 2025
        • Winners: Publication Awards 2025
        • PGR Poster Showcase 2025
    • Conference and Awards Archive
  • Funding
  • Membership
    • Key information
    • Join / renew
  • SIGs
    • Convenor Resources
    • A-E
      • Adaptations
      • Amateur Cinema
      • Animation
      • Archives and Archival Methods
      • British Cinema and Television
      • Colour and Film
      • Documentary
      • East Asian Screen Cultures
      • Essay Film
      • Euro-Bollywood
    • F-J
      • Film and Philosophy
      • Film/Making Education
      • French and Francophone Screen Studies
      • German Screen Studies
      • Horror Studies
    • K-O
      • LGBTQIA+ Screen Studies
      • Media and the Environment
    • P-T
      • Performance and Stardom
      • Practice Research
      • Psychoanalysis and Film
      • Science Fiction and Fantasy
      • Screen Industries
      • Screening Sex
      • Transnational Screens
  • Postgrads / ECRs
    • Early Career Mentoring Scheme
    • New Connections Schedule
      • New Connections Archive
    • Postgraduate Network
      • PGR Network Website